Oct 16, 2010
Harry Callahan’s dye-transfer print Atlanta (1984) will be on display at SFMOMA’s upcoming exhibition Exposed: Voyeurism, Surveillance, and the Camera Since 1870. Bringing together historical and contemporary photographs, films, and video works by both unknown photographers and internationally renowned artists, this provocative exhibition examines some of the camera’s most unsettling uses, including pornography, surveillance, stalking celebrity, and witnessing violence. Exposed poses compelling and urgent questions about who is looking at whom, and why.

Harry Callahan’s dye-transfer print Atlanta (1984) will be on display at SFMOMA’s upcoming exhibition Exposed: Voyeurism, Surveillance, and the Camera Since 1870.

Bringing together historical and contemporary photographs, films, and video works by both unknown photographers and internationally renowned artists, this provocative exhibition examines some of the camera’s most unsettling uses, including pornography, surveillance, stalking celebrity, and witnessing violence. Exposed poses compelling and urgent questions about who is looking at whom, and why.