Oct 31, 2010
Hide/Seek: Difference and Desire in American Portraiture October 30 through February 13, 2011 at the National Portrait Gallery
This is the first major  museum exhibition to focus on sexual difference in the making of modern  American portraiture. “Hide/Seek” considers such themes as the role of  sexual difference in depicting modern America; how artists explored the  fluidity of sexuality and gender; how major themes in modern  art—especially abstraction—were influenced by social  marginalization;  and how art reflected society’s evolving and changing attitudes toward  sexuality, desire, and romantic attachment.
The exhibition begins with  late nineteenth-century works by Thomas Eakins and John Singer Sargent  and charts the twentieth century with major works by such American  masters such as Romaine Brooks, Marsden Hartley, and Georgia O’Keeffe.  The exhibition arcs through the postwar period with major paintings by  Agnes Martin, David Hockney, Jasper Johns, and Andy Warhol. It continues  through the end of the twentieth century with works by Keith Haring, AA  Bronson, and Felix Gonzalez-Torres about life, love and death during  the AIDS crisis, and charts the vigorous reassertion of lesbian and gay  civil rights in the twenty-first.Co-curated by David  C. Ward, National  Portrait Gallery historian, and Jonathan David Katz,  director of the doctoral  program in visual studies, State University  of New York at Buffalo.

Hide/Seek: Difference and Desire in American Portraiture
October 30 through February 13, 2011 at the National Portrait Gallery

This is the first major museum exhibition to focus on sexual difference in the making of modern American portraiture. “Hide/Seek” considers such themes as the role of sexual difference in depicting modern America; how artists explored the fluidity of sexuality and gender; how major themes in modern art—especially abstraction—were influenced by social marginalization; and how art reflected society’s evolving and changing attitudes toward sexuality, desire, and romantic attachment.

The exhibition begins with late nineteenth-century works by Thomas Eakins and John Singer Sargent and charts the twentieth century with major works by such American masters such as Romaine Brooks, Marsden Hartley, and Georgia O’Keeffe. The exhibition arcs through the postwar period with major paintings by Agnes Martin, David Hockney, Jasper Johns, and Andy Warhol. It continues through the end of the twentieth century with works by Keith Haring, AA Bronson, and Felix Gonzalez-Torres about life, love and death during the AIDS crisis, and charts the vigorous reassertion of lesbian and gay civil rights in the twenty-first.

Co-curated by David C. Ward, National Portrait Gallery historian, and Jonathan David Katz, director of the doctoral program in visual studies, State University of New York at Buffalo.